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Posts tagged ‘Stephen Fry’

16
Jul

Harry Potter and the cool effect

On Wednesday I got up early, took the children to school, went to work and then walked on down to the St Helier waterfront to the Cineworld cinema – in time for a film that started at 10:15.

Now this is nothing unusual for me, I’ve been to the cinema that time of the morning many times before, in fact I almost ALWAYS go to the cinema in time for the first screening.

The reason for that? There is usually nobody there – I mean why do people go to the cinema in large groups, eat noisy foods and THEN talk to each other in whispers throughout the film? I CAN STILL HEAR YOU!!!!

So by going to the first screening of the day I normally get a cinema to myself, even for the bigger films. No noise from people sitting near me, no noise from people thinking you can’t hear them – I get to be my anti-social self and enjoy a film at the same time.

But on Wednesday I went to see Harry Potter and I went to see not only the first screening of the day but also the first screening in Jersey (or at least ‘official screening’ anyway).

Image by xcaballe via Flickr

I was in a screen with at least 200 other people – it was ever so slightly insane. OK so it is the start/middle of the tourist season but Jersey doesn’t exactly have a ‘massive’ tourist market anymore – so it was a little mad to be in a half full large cinema screen at 10 in the morning.

Anyway to the point – Harry Potter and the Half Blood Prince – the review.

I was a bit of a late-comer to the whole Harry Potter thing, getting into it around the time book four was released but I quickly caught up and was waiting impatiently in line at midnight like everyone else for books five to seven.

I heard them all in audio form as read by Stephen Fry, have watched all the movies in the cinema and have them on DVD as well. Not that I like them much.

So you now know I went into this film as a little bit of a Harry Potter fan boy, unlike other films I’ve been in to where my default position is ‘come on then, impress me’.

I was impressed by Harry Potter and the Half Blood Prince. In fact so impressed that I am slightly scared that Director David Yates had been looking around inside my head as he made the film.

The whole thing looked and felt almost EXACTLY as I imagined it in my head while reading the book – the different scenes panned out how I imagined they would, the conversations happened as I expected – with a couple of minor exceptions.

The first involved the Snape and Dumbledore thing – in my mind that happened on the grass outside and not in a clock tower but it was more effective this way.

The other was those things in the water in the locket scene – in my mind it was a sort of Munch inspired hands coming out of swirling water thing without seeing the rest of the body.

Instead the film had creates that sat somewhere between Dobby the House Elf and Gollum but a bit more grabby.

The relationships between the characters continued the increasingly intense and growing mutual respect and sense of dread that the last couple had started to set up.

My only concern was that the whole thing felt a little bit ‘glossy’, maybe I need to see it for a second time but the dispair didn’t really come through as intensly as I expected it to.

And when I say glossy I don’t mean it as a critisism of the look of the film – that was spectacular, it felt completely immersive, water was intense, the breaking up of the wobbly bridge out of this world and god I love the Quidditch scenes.

But I felt that maybe, just a tiny little maybe, the ability to look stunning over took some of the simpler intense scenes that could have been created between a couple of good actors on a plain set.

Overall though I would still give it a high four out of five.

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22
Jun

iPlayer Pick: ISIHAC

This weeks iPlayer pick comes from radio and is the second episode of the new series of I’m Sorry I Haven’t a Clue – fronted by the ever wonderful Stephen Fry.

This is Stephen Fry’s last stint in the hosts chair – taking over from the late, great and true legend – Humphrey Lyttelton. Over the next four weeks Jack Dee and Rob Brydon will do a stint of two weeks a piece.

But this is my pick not because it is the greatest edition of the antidote to panel shows of all time – but because Stephen Fry did an admirable job filling behind such large shoes.

Here it is:


iPlayer embed code generated using the Up Your Ego PIP.

Here is the BBC description: “The perennial antidote to panel games comes from Her Majesty’s Theatre, Haymarket in London, with Stephen Fry the first to take on the chairman’s role from the late Humphrey Lyttelton.

“Regulars Barry Cryer, Graeme Garden and Tim Brooke-Taylor are joined by Victoria Wood.”

NOTE: Frontpage photo: Stephen Fry “Meet The Author” Session @ Regents Street Apple Store, London by DG Jones

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22
Jun

Top Gear 100: Missed it

Previously on my Top Gear obsessed blog – I wrote suggestions for Top Gear 100 – that was last series and it came and then went away.

Not that the Top Gear team noticed – Andy Wilman, show executive Producer, asked the crew to work out the number of episodes and tell him when it gets to 100.

He said: “Count up how many shows we’ve done since we came back on air with Top Gear because that has got to be a landmark show and we don’t want to miss the bugger.”

Andy then went on to explain that: “I’ve just worked out that the actual 100th show was the really shit one with the Renault Avantine so I’m sorry.”

So there we have it – no leaping over caravans, burning caravans – in fact no caravans at all – just a poor to middling, if not utter turd car. Oh well.

Here is a link to a great behind the scenes video from Top Gear 13×01 to take your mind off it. I can’t embed it though. You can watch what I think is episode 100 here.

However, something I can embed for you is Top Gear 13×01 as my tip of the week.

Embed code generated using the Up Your Ego PIP tool.

And to finish off a few words on this weeks Top Gear ratings – a pretty impressive one for Top Gear and BBC Two – but not the highest of all time.

The opening episode of Top Gear 13 saw an audience of 7.1 million and a share of 30.4% reaching a peak audience of 7.8 million by 8:45.

It was hte most popular show on BBC Two by a long way – with James May on the Moon taking the second spot with 3.2 million and a 13.8% share.

In fact Top Gear also gets the award for most watched show of the day by some margin – with BBC News at 10 getting 5.2 million in second and Stephen Fry’s Kingdom on ITV 1 getting 4.6 million in third.

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25
Mar

iPlayer pick: Third Reich and Roll

It was something of a tough call for me when thinking up an iPlayer pick for today – mainly because I couldn’t decide between Stephen Fry and David Mitchell.

Stephen Fry hosting QI in Series A.
Image via Wikipedia

On one hand you have The Unvelievable Truth which mixes lies, lies and a bit of truth in a format that, on paper at least, sounds very much like an earlier vehicle for Sandi Toksvic – Call my bluff – but funnier.

This is fronted by David Mitchell, has been proved by QI (and Stephen Fry) to be wrong even when it thinks it is being right, is on Radio 4 and is VERY GOOD.

Then on the other hand you have a three part documentary tucked away on BBC Radio 2 charting the technological development of audio recording.

This second one, although at first glance sounding ever so slightly dull – is actually brilliant. It’s fronted by Stephen Fry has the amazing name ‘Third Reich and Roll‘ and looks at recording technology from Hitlers Gemany to today.

That is my iPlayer Pick of the week and here is episode two (unfortunately I caught episode one too late to bother posting it – but if it isn’t repeated I’m sure you’ll find ‘other‘ ways of getting hold of it – like Audible.

OK finished? As you will have heard – it is a Stephen Fry special of a documentary – in a similar, easy to understand vein as the Gutenberg press TV one.

I really can imagine Stephen in a large living room surrounded by old and new recording and playback devices – iPhone and MacBook complete with Garage Band taking pride of place of course.

There was another reason (other than the brilliance of this as a documentary) that led to this being picked over David Mitchell and his Unbelievable Truth – that was simply that this was a bit of a hidden gem.

David Mitchell’s show is a big promo show, it is heavily advertised, is on the iPlayer homepage and seriously pushed by BBC Radio 4 – a station famed for its speech, comedy and documentary content.

Third Reich and Roll was a Radio 2 documentary – a station that produces some incredible documentaries but isn’t as renowned for them as Radio 4 and I certinaly didn’t hear as much about this as I have about The Unbelievable Truth.

I’ll update this page with next weeks episode when it comes out and then give you a new tip after the third part has aired.

If this hasn’t tickled your taste bones then why not visit the brilliant Watchification for a more varied and regularly updated series of iPlayer picks.

Here is a little bit of Call My Bluff for memories sake.

iPlayer video code generated by PIP.

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30
Jan

Wossy and BobbyLlew in Tesla

I have a post coming very soon with the title ‘the rise and rise of online video’ that looks at sites like ChannelFlip and Rev3 and how they’re fast becoming the ‘Digital TV’ of the 21st Century.

Jonathan Ross in The Cinema Store, London, 17 ...
Image via Wikipedia

To understand what I mean by that you need to take a step back in time to around the early to mid-nineties when Digital TV (in the form of Sky) was taking off in the UK – becoming mainstream.

At that time it would be really cool if you saw someone you knew (in the fame sense of knew) on one of the digital channels (i.e. not BBC, ITV or Channel 4) – even though the shows were relatively low budget and often a bit crap.

Well Online is fast taking on that role – as Digital Television has become the norm, as it is taking over from ‘traditional’ television in terms of new shows, big commissions etc – online is taking the role of ‘known people’ doing their own things, creating their own shows and doing the whole ‘ooo cool lets get cult’.

It isn’t television but Phil and Phills Perfect Ten, Stephen Fry’s Podgrams and Colling and Herrins Podcast make for great unique, original straight to the audience radio.

And in television you’ve got people like Robert Llewellyn (Red Dwarf, Scrapheap Challenge, Top Trumps) creating their own shows and even networks.

The latest from Robert is LlewTube – which has one main show in the form of Car Pool – that’s just had its second episode (first official). It basically sees Robert driving around London in a car (either Tesla or Prius) with someone famous or interesting or both.

The first episode was with Red Dwarf (and other things) director Ed By and the second with Jonathan Ross. You can watch that now – but please do check out www.llewtube.com.

Did you enjoy it? OK so the quality isn’t perfect yet, the camera work needs a bit of tweeking and the audio needs a bit of a sledghammering – but the concept is brilliant, the content is brilliant and there are another 16 already recorded – being released weekly.

But this isn’t the only online video Robert is doing – he also presents MoWer (or Machine of the Week) for ChannelFlip – the network launched by Wil Harris and Justin Gayner.

ChannelFlip, despite a slightly slow start that saw several months go by without an update – has rapidly increased both its output, its profile and its user numbers.

As well as having Robert Llewellyn – Wil Harris recently announced via his Twitter stream that comedian David Mitchell (Peep Show, Mitchell and Web) will be presenting a show for the network.

That will be added to the already impressive line-up of shows from lesser known presenters – including Wil and Justin themselves.

You can watch an episode of Robert Lewellyn’s MoWer which has just broken the iTunes top 30:

Back? Right so lets move on – it isn’t just the big high profile sites providing great content – there are also smaller players – just go through YouTube Channels or look at Blip.tv for some of the brilliant independent video content online – but ignore my channel.

As video production gets increasingly more simple, as costs of bandwidth and ease of putting online (set up a blip.tv network, upload video, tick podcast box and go) improves – and as advertising revenues for podcasts increase – I can imagine an increasing number of mid-level celebs launching their own shows.

How long before Andi Peters launches a weekly cooking show – actually Wil Harris – how about giving Andi a call or sending him a Tweet – xxandip?

Stephen Fry's Podgrams
Image via Wikipedia

But there is a more serious side to this online video lark – with sites like ChannelFlip trailblaising their way through and millions using the iPlayer on a regular basis (an average of 700 thousand a week for Top Gear alone while it was on) – could we see a new online PVT service funded from the £130 million BBC digital switchover fund?

Should that money go towards creating a new PVT online broadcaster that carried documentaries on difficult subjects, carried entertainment shows that aren’t commercial enough or wide audience enough to work on television but still interesting enough to follow up?

Could an online PVT service include live streamed (or even just reported) coverage of all the local councils in the country or more specific local news – that there is NO WAY local newspapers will effectively deliver across the country.

Who knows.

Speaking of cookery shows – I got my wife to film me making pasta salad as a sort of test piece to see whether I should continue with my ‘Reluctant Geeks Diet Diary’ idea – the camera work was brilliant – lets leave it there.

So back to the drawing board for my own video ideas – I need an idea for a project that isn’t just me talking into the camera – answers on a postcard – or ideally in the comments bellow.

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27
Jan

Zero to 1000 in 10 minutes

rustyrockets

OK so I just witnessed something a bit weird – the opening up and first postings of what will soon become one of the highest profile Twitter accounts.

It’s great that @Wossy (Jonathan Ross) and @stephenfry (Stephen Fry) and even @bobbyllew (Robert Llewellyn) are on Twitter but now that @rustyrockets (Russell Brand) has joined the BritTwit fellowship – things are going to go mental.

Russell Brand
Image via Wikipedia

I watched Jonathan Ross post at around 10.25pm “russell now has proper twitter account ! Would you like his name ?” which was quickly followed by “@rustyrockets” three minutes later.

Between that moment, which was quickly followed by this post from @rustyrockets “i have come to join you pleas be gentle with me as ive been feeling vulnerable… yet implausibly, sexy” and now – he went from 0 to 1700 followers.

It seems to have settled down a little bit now but at one point – a refresh every second saw an extra 20 or 30 followers.

There’s even a TwitPic from @Wossy – I guess Russell was at his house. Oh and “Hello Daily Mail Hack searching for Jonathan Ross and Russell Brand in the hope of finding another pointless story”.

Of course this comment from @Wossy might mean a limited number of posts from @rustyrockets “my kids just told russell that twitter is for oldies. he is cursing me now.”

But somehow I doubt that would have an effect – although interestingly not long before that @bobbyllew was talking about his daughter describing Twitter as being like “MSN for old people”.

Is Twitter really for old people? OK so I’m now in my late twenties – so what are the, oh god I can’t believe I’m about to post this but, what ARE the kids using nowadays?

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5
Jan

Clarkson on Twitter?

The latest bandwagon our illustrious British celebrities (especially the cooler ones) seem to be jumping on is that bastion of micro content – Twitter.

Stephen Fry is a regular Twitterer and has something like 30 thousand plus followers – mainly because he is actually a very good twitterer with interesting things to say.

fry_body

Robert Llewellyn is also on Twitter (AKA Kryten) with something like 2000 followers and, killing time before getting back on the air in a couple of months, Jonathan Ross (under the username Wossy).

And now (although I’m still not convinced it is actually him – a post on the Top Gear Transmission blog would go a long way to proving it) none other than Jeremy Clarkson has found himself tweeting away.

In fact I WILL need to see a post on Top Gear.com to believe it really actually truly is him – until then I’ll read it as if being written by a Clarkson/Top Gear fan.

clarkson_body

When I first checked this morning JC had around 250 followers – at the time of writing this blog post (12:45) he has nearly 550 and it seems to be increasing every time I refresh.

His first post was on 19 November as was the second but then nothing else until 29 December. There have been new posts every couple of days since then with five so far today alone.

If this really is Clarkson he may well be the first Brit to beat the American Technorati into the top five on Twitterholic – although Stephen Fry might just beat him to it.

What other British geeky celebs would you like to read on Twitter?

20
Oct

Going Visual

Friends, Bloggers,Geeks, lend me your eyes; for today I come to praise the BBC, not bury it. It may seem and sound like I come to complain, but the complaints all form the words and feelings of great praise.

Actually I’m going to write a blog post about the use of video clips on the new sites from the BBC Vision teams – but I wrote Friends, Romans, Countrymen and felt the burning desire to carry on.

The first website I built was a page full of text, it contained little more than a white background, Times New Roman text in black, the odd H1 and a couple of horizontal rules.

The second website I built went in completely the opposite direction and was fully of so many flashing images and colours – if anybody had of actually seen it I would have been arrested for crimes against the internet – or maybe credited for inventing MySpace (either way it wasn’t good).

Both sites did have one thing in common though – neither had any credible or sensible navigation system – it was pretty much everything on one page.

Fortunately since then I’ve learnt how to build useful and usable navigation systems as well as design sites that fall somewhere in the middle – plenty of content with a sensible design and reasonable use of images.

As have the BBC, not that their sites were ever too text heavy or image heavy of course – I just needed a way of getting into the next part of the blog post.

BBC Vision

BBC websites are slowly moving from the 800×600 left aligned format to the new wide, centre aligned format – many have already gone and one of the most prolific new site launchers and re-launchers at the moment is BBC Vision.

There seems to be a consistent thread across all the new BBC Vision sites (which probably has something to do with the fact its … well visual) and that theme is video.

Pretty much the first thing you see on a new site is a video clip – this is either, in the case of an upcoming series, a trail for the show, a preview of an episode, the presenter speaking to camera or even something specially commissioned.

And more of these clips are being made embedable as well – which is good move in the right direction.

An example of that is the Eurovision Your Country (more on this later) site. It’s a re-design of the Eurovision site (one of the early wide sites) from earlier this year and as with most BBC Vision preview sites – it features navigation links across the top, a little bit of text and a big video that’s left aligned but feels like it takes the whole space.

Question here – do I include a screen shot, embed the video or do both? I think both (damn the page load time to hell I say – just get a broadband connection!).

OK so first the video – Lord Andrew Lloyd Webber appealing to the nation to sign up and send a video fo themselves or their group singing (write – make a prat of yourself in the comments if you want me to have a go) set to land of hope and glory.

Now lets move on and have a look at a screen shot – after you’ve stopped laughing at the brilliant pomposity and faux granduer (more on the show later) of the video clip.

Eurovision

As you can see – the video is the main feature – you have a few details on how to enter down the right hand side as well as (I’m sure) the obligatory Eurovision Logo (couldn’t you guys get one with a purple background and white text? And what is it with the Purple anyway?).

The whole thing is kept very simple as a preview site (I’m sure once the selection is made it will be full of extra boxes full of content and things to watch) and this isn’t the only one.

Spooks is coming back to our screens this coming Sunday and it all looks very Russian / Cold War / James Bondy and VERY VERY good – but its the site I’m interested in here.

The new Spooks site doesn’t even have top navigation (although I’m sure it will within the next few days).

Basically it has the TV trailer in the usual big spot on the left, a graphic across the top with the Spooks and BBC One logos and a photo/text telling us there is more to come on the right (navigation space).

But again its the video I’m really interested in here – it’s embedable, it’s in a dominant position on the page (in fact it really is the only thing on the page) and further cements the idea that web video is universally accepted and here to stay.

I’ve always thought that once broadband takup reached a certain point – the best approach for any TV show or TV channel website would be to show video – and as much of it as possible – on their index.

That’s what the BBC vision team are now doing. Here’s a screenshot of the Spooks page (before it gets replaced with a fully functioning site.

Spooks

Anyway – I’ve now looked at two examples of video on a preview site, basically using it as the dominant feature to trail an upcoming show.

Lets have a look at a site already live for a show already started. I think, as it is a reasonably recent launch (about two weeks ago) Autumnwatch would be a good choice.

It’s basically designed to a similar principle as the ones above (after all they all share a wireframe parent). You’ve got navigation across the top, links on the right, content left middle and elsewhere at the bottom.

You’ve also got a Breathing Places (things to do in your patch) postcode finder, photos on flickr of Autumn, a ticker with new content and of course – the video.

Again you can embed it:

What’s different about the use of video on the Autumnwatch site is the playlist – there is more than one video available so the next one is shown as a thumbnail to the right of the main video clip.

Autumnwatch

As you can see from all the screenshots above – one thing consistent across all the new BBC sites is a really cool background image – either really cool or relevant (although I’m still not convinced by the purple behind Eurovision).

They also (BBC Vision sites) have a consistent design and navigation structure, tie into the iPlayer and to the /programmes pages.

Which raises an interesting point – one almost confirmed by the fact that the Stephen Fry in America series (one of the best on TV at the moment) doesn’t have a site of its own.

This is clearly an important big budget show with a very famous star at its heart – yet it doesn’t have a site of its own – it falls within the bounds of /programmes instead.

And actually I don’t see anything wrong with that – obviously when shows are no longer on the iPlayer (it looks like the series is stacked) it would be nice to see video clips from episodes (key interviews, sequences, scenes) added to the episode pages in their place – but as for needing a site of its own – I’m not sure what extra it would bring?

Ok so you could have a flickr feed showing photos of the places Stephen visited while in America, you could include longer interviews and unseen clips, you could have got Mr Fry to write a diary and include short snippets from it (you can’t include all of it – there’s a book to sell afterall).

But I wonder how often all of that is actually used – maybe it would be better to have /programmes at the heart (including clips from the show when the iPlayer videos expire) but also pull in related content from /topics from flickr and even from Stephen Fry’s website itself.

In fact having looked at Stephen Fry’s website – there does seem to be a fair amount about the In America show on there.

Maybe more on that another time.

20
May

Fry on Digital Media


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