BBC iPlayer Archive

Let me scrap my boxes of CDs with Spotify Stereo

Let me scrap my boxes of CDs with Spotify Stereo

I love Spotify, I love internet radio, I love podcasts, I love the freedom to just drop in and out of content as I see fit.

Whether that dropping in and out be in the form of music from almost any album ever released on Spotify or a speech based podcast show.

But I’m not overly keen on having to turn my computer on to listen to that same content when all I want is something to hear while washing up.

At the moment CDs and linear FM radio win out for the ease, cheapness and convenience of being able to push two buttons and be listening to ’something’.

Broadcasting tower in Trondheim, Norway
Image via Wikipedia

What I’m really looking for is a reasonably priced (under £300) home stereo I can put in my kitchen that has WiFi built in with a VERY user friendly interface that gives me access to albums on Spotify, podcasts streamed straight to the device and on demand content possibly through the new UK Radio Player.

A simple device that had space for a CD at the bottom alongside a USB and SD (why are the cheaper ones still Compact Flash) card reader with a LCD screen just above that – and a speaker either side.

The interface would give me the choice of a number of services through a simple icon based menu system on the front screen.

These would be:

CD | OTHER | SPOTIFY | ON DEMAND | LIVE

CD would give you all the options for the CD player including the option of ripping the music straight to an SD card inserted in the slot below.

OTHER would give you access to the media on the SD card or any USB device plugged in.

SPOTIFY would give you access to the full Spotify library using a specially designed interface for a small touch screen based display.

ON DEMAND would give you access to the UK Radio Player on demand interface including the BBC iPlayer – so all radio content from the last seven days.

It would also give you access to the wealth of podcasts from around the world in a specially designed directory.

LIVE does what it says on the tin and gives you access to both the UK Radio Player and radio stations broadcasting live from around the world.

But obviously that wonderful dream device isn’t available at the price I’d be prepared to pay at the moment so I use a combination of the annoyance of powering up a computer just to listen to audio – at which point I find other things to do and forget what I started out doing.

And of course my iPod – I have music synced to it, I have podcasts on it and with the help of a little app I have on demand content ripped to it – but this isn’t exactly what I want or even nearly what I want.

The computer thing does still work sometimes though – normally for my children’s birthday’s we will have pass the parcel and other party games at home with family.

This involves me having a playlist of kids music in iTunes and stopping/starting as necessary – this year I used Spotify for the music and didn’t even need to load up iTunes.

I just want to finish my design of my dream stereo by saying – I love Spotify.

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Desert Island Discs goes digital but I have ideas

Desert Island Discs goes digital but I have ideas

Most of the BBC’s radio and television output is available on the iPlayer for at least seven days after broadcast – some of the TV is even available for download.

The iPlayer team are now introducing a number of other features like linking to a specific point and chapters – next up I’d love to see comments and ratings.

But one of the shows missing from iPlayer, a major part of the BBC Radio 4 output is Desert Island Discs – as a format there is so much you could do with it online.

But there has always been a rights issue around it as it was created in a pre-digital era by someone obviously not under a BBC staff contract.

However that problem seems to be solved with an announcement on the BBC Radio 4 blog that not only will DDI be available on the iPlayer but will also eventually be a podcast and there will be some cool web features surrounding it.

The suggestion on the original Radio 4 blog post said: “we have plans to make the website an all-singing, all-dancing affair – encouraging people to compare their choices with the choices of castaways, looking at the most selected tracks etc.”

Which all sounds brilliant – but I hope it amounts to more than just a list of people that have been on the show with details of the songs the songs and selection – that is great content but not ‘all singing and all dancing’.

You can see an example of this approach in place on the pre-March 2009 Desert Island Discs BBC site.

That information still exists, it’s just that now you go to the /programme site for that edition of DID – which means that in theory this info exists in a data form somewhere.

So what I’d like to see is a cool web app – let me sign in with my BBC iD account, let me enter my choices (songs, book, luxury item) and then match me to the closest DID guest.

In fact this could be expanded to match me with other DID users with the data posted to my BBC iD profile page along with my iPlayer viewing et al.

And finally – on the new DID site, as well as this cool matching app, how about linking the song titles to Spotify so they can be listened to again while splitting out the music and making the interview portion available for ever.

If a link straight to spotify isn’t possible (for legal/impartial reasons) why not create a version of the Buyer’s Guide (currently being trialled with The Archers Audiobooks) and have a page for every song (tied to /music) with details of all legal online sources for that song including last.fm and Spotify.

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The same opinion differently

The same opinion differently

So news today that a government survey suggests 65% of the public would welcome part of the licence fee being used to fund some television on other networks comes as a bit of a surprise.

Actually I don’t find it that surprising – a recent survey comissioned by the BBC showed that rather than giving it to ITV to create a plurality in local news – they would prefer to get it back – some 49% of that MORI poll said they would rather have a reduction in the licence fee.

Of course the Government comissioned survey didn’t include the option of reducing the licence fee – it was structured around their goal of Top slicing.

I think long term, probably by 2016, before the next licence fee settlment – questions will need to be asked, big questions, about what the licence fee should fund – but right now, on the cusp of what will probably be a government changing general election and five years into a licence fee settlement – it isn’t the time.

I think the eventual study, speaking to licence fee payers and PUTTING THEM FIRST and not big corporations (that could end up owned by non-British companies anyway), should ask ‘what they licence fee should pay for’ and start from there – instead of the current situation of asking what it shouldn’t pay for.

Maybe the BBC should just have a single showcase channel on TV and just do speech and classical on radio (basically Radio 4 and Radio 3) leaving the other stuff to the commercial sector.

It’s possible that one television channel (supported by the iPlayer with more niche programming on there) could only include the type of programming the commercial sector can’t or won’t fund/support – challenging documentaries, british made big budget drama, edgy comedy, big live events….

Paul Eddington
Image via Wikipedia

Although on the radio front it would be a shame to lose brilliant grassroots concepts like BBC Introducing and intelligent teen strands like BBC Switch.

Also – should the licence fee be paying for British made children’s television – so does Cbeebies get to stay? Does CBBC get to stay or is that covered elsewhere?

What about going local? Should the fee pay for the speech based local radio and television news services? What about the related websites? In fact should BBC News Online be allowed to stay? Should BBC Science and Nature online stay?

Should bbc.co.uk be anything more than a basic listing of what’s on those three remaining networks (BBC TV, BBC Classical Radio and BBC Speech Radio) as well as the iPlayer?

I think my next post might be a pull together of all the different shows and features I’ve seen people on the internet say they’d pay the licence fee for alone.

The other big question that will need to be asked is whether the licence fee should remain as a compulsory tax or not – if any of the things I talked about above should still exist in the UK then I personally think the answer is yes – as without the unique licence fee (collective good) funding – they won’t happen and Britain will be a poorer place for it.

If however we don’t care about high quality, original British made drama, comedy and documentaries – we don’t care about money staying in the UK production sector, we don’t care about compelling speech radio or strong local content – then we don’t really need the licence fee.

All discussions that need to be had but possibly under the next government and closer to the next licence fee settlement.

Anyway the battle of the polls made me think of one of my favourite sketches from one of my favourite sitcoms – Yes, Minister, where Sir Humphrey and Bernard Woolley discuss the subject of opinion polls.

The questions are being asked by Sir Humphrey Appleby, Permanent Secretary at the Department for Administrative Affairs.

Answers are by Bernard Woolley, Principal Private Secretary to Jim Hacker MP.

“Mr. Woolley, are you worried about the rise in crime among teenagers?”

“Yes”

“Do you think there is lack of discipline and vigorous training in our Comprehensive Schools?”

“Yes”

“Do you think young people welcome some structure and leadership in their lives?”

“Yes”

“Do they respond to a challenge?”

“Yes”

“Might you be in favor of reintroducing National Service?”

“Yes”

Having got an answer with on line of questioning, Sir Humphrey changes tack and has a go from the other point of view.

“Mr. Woolley, are you worried about the danger of war?”

“Yes”

“Are you unhappy about the growth of armaments?”

“Yes”

“Do you think there’s a danger in giving young people guns and teaching them how to kill?”

“Yes”

“Do you think its wrong to force people to take up arms against their will?”

“Yes”

“Would you oppose the introduction of National Service?”

“Yes”

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iPlayer Pick: Man on Wire

iPlayer Pick: Man on Wire

When coming up with my iPlayer picks I would normally ignore anything in the top five simply on the grounds that most people will have seen it already – but I’ll make an exception for Man on Wire.

The film tells the true tale of how Philippe Petit managed to achieve his amazing high wire walk between the Twin Towers in New York back in the 70s – it’s funny, poinant, irritating and slightly scary all at the same time.

It’s a British film with a French sensability and Philippe Petit has such an over archingly exuberant personality that he brings the whole film alive – mixed with black and white footage and a selection of equally ‘interesting’ head 2 head interviews with his ‘crew’ of the time.

Watch it and enjoy.

Embed code generated using the Up Your Ego PIP tool.

I first saw Man on Wire at the first Branchage film festival in Jersey, an event I’m more closely involved in this year through the Sheer Talent/BBC Jersey Introducing gig.

Branchage pulls together films in alternative places – in locations you might not expect to see a film like The Wicker Man at the twelth century Gorey Castle.

It also mixes live music with that venue selection as well – from live scores to silent films to a heavy metal guitar solo before the screening of Heavy Metal in Baghdad.

If you can be in Jersey between 1st and 4th of October – you’ll find SOMETHING to do and probably discover a few new ‘favourite’ films in the mix.

Speaking of mix and music see if you can spot me in this months Gallery Magazine.

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Who needs Kangaroo

Who needs Kangaroo

When ‘Project Kangaroo‘ was first announced I got all excited, I love watching TV, I love watching old TV shows but I like to watch them on my terms – and buying DVDs can get overly expensive for something you might watch once in a year.

Part of the whole ‘watching TV on my terms’ thing was resolved in a legally grey way in the first instance with sites like UKNova and Pirate Bay and then later, in a simpler, easier to use and legal way by first 4OD and later the BBC iPlayer – now all the main ‘original content’ networks in the UK have their own on demand player.

But that still didn’t solve my DVD problem, my desire to watch a show that suddenly jumps back into my head at short notice. This hasn’t been a problem for Channel 4 programmes, and to some extent ITV shows – but for the BBC it’s always been a case of relying on DVDs and to a small extent iTunes.

And at the point I first started taking an interest ITV Player didn’t exist or was Windows Media only and Channel 4’s 4OD was either pay per play behind a horrible app you had to download and keep running.

What I was looking for was plain and simple, I want to have an idea for a show I wanted to watch, go to a website and click play – a few seconds later I’m watching it.

Fortunately attitudes have changed with technology, demand and an increasingly cheaper supply of broadband to the home and the server.

Lack of community

In a bit I’ll go through each of the main on demand sites in turn but before that there is one major thing missing from ALL the British on demand sites, something that exists brilliantly on Hulu, MSN Video uses and is the lifeblood of sites like YouTube – community.

The problem with all the UK broadcasters is that their sites exist a player, a place to come, watch what you want and move on – the idea being that if you want to discuss then do it somewhere else.

But, what I really want is to watch a programme and then write my thoughts on it in review form, maybe join a linked discussion thread and even have the ability to embed that video on my own site where I can write a full review – in fact they COULD allow me to write the review on their site under the video and include a ‘post to your blog’ option for registered users.

Working in a similar way to Digg and Flickr – this would let me post the video and my review, created on say the BBC iPlayer site – directly to my blog with all embed and links in place automatically.

But if you can’t wait for that you can get the iPlayer embed code, in a bit of a crude fashion, from my iPlayer PIP tool – go to http://upyourego.com/pip/


Hulu (Most major US networks)

A great example of how to merge social, community and online video is Hulu – not available in the UK at the moment and with a player that isn’t really as good as the iPlayer, Hulu does have a couple of tricks up its sleeve.

Image representing hulu as depicted in CrunchBase
Image via CrunchBase

The navigation is far better than any UK broadcaster giving users a lot more information about the show on the first page than any UK broadcaster does. It also allows for debate, review AND embedding of the content on another site.

On its homepage it has featured video, popular video and editors picks – making it closer to iTunes in navigation concept than iPlayer – but then you can also break it down by Channel, collections and more.

It includes links to share your content on social media sites and if registered you can see your friends viewing and rating activity (which to be honest could get a bit embarrasing if you’re friend is watching a lot of BBC Three).

The British broadcasters could learn a lot in the social sphere from Hulu and will learn a lot when they bring their technology to the UK in the near future.

LIVE: No
SOCIAL: Yes
EMBED: Yes

http://www.hulu.com


BBC (BBC iPlayer)

So I can now go to BBC iPlayer and watch what I want for around seven days after broadcast, or longer in the case of series linked shows.

BBC iPlayer
Image via Wikipedia

The iPlayer is easily the best player of all the UK broadcaster sites and has the easiest to use navigation and layout.

It also has the best range of features, the highest quality video, the option of downloads and no ads – but then it IS funded by the licence fee so no commercial constraints to worry about.

It’s all the little bits as well that make the iPlayer as special and useful as it is, things like the listings, the recommendations (the incredible volume of programming makes this useful) and the live search tips.

LIVE: Yes
SOCIAL: No
EMBED: See here

http://bbc.co.uk/iplayer


ITV (ITV Player)

I could also now go to the ITV Player to watch new and archive content in what is becoming an easier to use site and player.

But it is still a little clunky and I’d say, unless you’re looking for a flagship programme like Coronation Street or Britains Got Talent – has the worst navigation and ‘findability’ of the UK on demand sites.

The fact that ITV are opening up their archive but ad supported is a pretty big deal because, although there are VERY FEW shows on ITV I watch now, there was once a considerable number of good quality programmes coming out of the multiple broadcasters that USED to make up this now massive national entity.

LIVE: Yes
SOCIAL: No
EMBED: No

http://www.itv.com/player


4OD (Channel 4)

Then there is Channel 4, whose player I think probably takes the longest to load but is fairly glitch free on a reasonable broadband line, it’s also pretty easy to use, certainly easier than ITV Player but nowhere near as easy as the BBC Player.

C4 is another broadcaster opening up its archive, and interestingly marrying that archive with clips as well – so if you don’t want to sit through a whole show, you can find a clip with the segment that you remember and just watch that.

I would say Channel 4 have some really interesting navigation ideas on their site – including the live search where you can start typing the name of a show and it will give you the link – but again that is one of the almost ‘hidden features’ of the BBC iPlayer – just try it by starting to type into the search box.

LIVE: No
SOCIAL: No
EMBED: No

http://www.channel4.com/


Demand Five (Channel 5)

Channel 5 is a really interesting case, they have the weakest content set of the UK broadcasters but, thanks to some fairly recent developments – have an increasingly impressive on demand service.

Their player isn’t great but the navigation isn’t bad and they’re the only UK broadcaster to have any form of social interactivity – ok so it is just star ratings and social media sharing – but it’s better than the rest of them.

LIVE: No
SOCIAL: Some
EMBED: No

http://demand.five.tv


Sky (Multiple networks)

It could be argued that Sky were the first company to launch a multiple network on demand site in the UK – beating Hulu, MSN and Kangaroo.

It’s a really impressive piece of technology allowing Sky subscribers to watch most of the channels in their subscription package online as well as a number of shows, movies and sports (depending on whether you have those premium packages or not) on demand.

This is brilliant for me, and makes much more sense than having Sky+ in multiple rooms as my wife can watch her shows on the TV in the living room while at the same time I can sit at the computer and watch a movie or a TV show (like Eureka) with headphones.

Now some shows do cost money, but it is a fairly small amount and you have to have Sky Multiroom or Sky Player Multiroom to watch live – but I don’t see why you shouldn’t be prepared to pay for on demand content – it costs money to make and screen.

I’d rather pay a small fee/top up subscription than have adverts.

LIVE: No
SOCIAL: No
EMBED: No

http://www.sky.com/player/


Aggregators

Of course the individual sites are becoming increasingly irrelevant as sites like TeeV pull all the shows together in one place and allow you to find it easier.

Then when you get Hulu UK and MSN Video launching over the next few months – you’ll have the archive content after the networks time-out window and I’m sure an integration of the ‘new’ content through feeds.

And of course there is sharing through Facebook and Twitter and the new TestTubeTelly from Channel 4 – pulling their shows together and adding an interactive layer.

Now the BBC is starting to make more of its video content available on other sites, but at this stage only through a branded player on signed up newspaper partner sites.

But, if its through a branded player anyway – why not just add an embed link to ALL their online video content and let people use and display it as they like (within the confines of a T&C agreement and refer blocking if necessary)?

That way anyone that wants to use to a)illustrate an article, b) improve their AV content or even c) look good – can! If it’s BBC branded with links back to the originating BBC article – I don’t see why it shouldn’t be accessible everywhere – same goes for the BBC iPlayer video.

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iPlayer Pick: Taking the Flak

iPlayer Pick: Taking the Flak

My iPlayer Pick is a show that is now almost half way through its seven week run, I’m talking about a new BBC Two sitcom – Taking the Flak – a look at what happens when the big boys of the BBC come into a previously uninteresting country after civil war breaks out.

Taking the Flak follows the story of Harry (Bruce Mackinnon), a stringer in a relatively un-interesting small African country as he thinks he’s about to get his big break when teh big boys appear from London.

The big boys include Jane thomason (Doon Mackichan) and David Bradburn/John Simpson (Martin Jarvis) and a rolling string of cameramen. You also get a look at the slightly weird news desk/news editor back in London calling for the story he needs and passing the pitch from the Karibu (the small African country) team on to the almight six, ten and as a last resort News 24 – clearly shot before the re-brand.

It isn’t bad and improves considerably by Episode three – anyone interested in news, news presentation and news production will have a special soft spot for this show as it is almost completely filmed in that style.

It ISN’T Drop the Dead Donkey (of which I’ve started re-watching on DVD for the fourth time) but it is a good series, well worth the seven half hour investments you’ll make.

Here is episode three.

But there is another show I’m really into at the moment that goes out at the same time as Taking the Flak – Getting On. It’s on BBC Four, is set on an old people’s ward in a hospital, is pretty much grey all over and features performances by Jo Brand and Joanna Canlan as Nurse Kim Wilde and Sister Flixter respectively. It also includes Dr Pippa Moore played by Vicki Pepperdine.

It was filmed in HD, is available in HD and I REALLY hope it comes back for another series. It’s also available on series link on the iPlayer so you can still go back and catch the whole thing – as is Taking the Flak.

There are only three parts, it is mainly ad-libbed and was directed by the ever brilliant Peter Capaldi. There is a real feel of The Thick of It in the series – but different, darker and strangely addictive. In fact of the two this is the better show but Taking the Flak is an easier watch and a simpler laugh.

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iPlayer deep links and sharing

iPlayer deep links and sharing

One of the things I’ve always found that makes watching television online more special than watching it … well on a television, is the social aspect of it.

The ability to watch with a group of people and talk about it while it was happening – I did it with the Eurovision song contest on Twitter and again more recently with #bbcqt (Question Time) as well.

This social element makes for a much more enjoyable, and in fact worthwhile experience – especially when you have no shared televisual interests with your wife!

Where a show requires, or warrents more concentration – like Top Gear – there is still the social element of going to the message board, or Twitter and finding out what other people thought of the show, share what you thought about the show and then join the with the overal melee.

The first of these two social video approaches is the simplest to discuss. Basically you all agree to watch the show as it goes out on television or at the same time on demand and talk about it while it is happening.

But the second can be a little more complicated. OK so you can write about something that happened and then share your thoughts on that moment – but what about people that haven’t seen it yet (outside the UK, watching on demand) but still want to get an overview?

Or if you say ‘don’t look here unless you want to be spoiled’ it would still be nice to have a more visual link to something that happened – screen grabs help and in an age before heavy duty BBC takedowns – so did YouTube – but both require a fair amount of effort and technical knowledge.

Well now there is a simpler way. The ever increasingly brilliant (partly because of the speed they can get changes through on a BBC product, partly because of the product itself) iPlayer team have added another cool feature to the on demand system.

They’re allowing you to deep link to an exact point within a programme without having to tell your mates on that message board “yeah go to this url and scan through about 25 minutes in.”

Instead you can send them a url, and in fact a BBC short url (no need for bit.ly or tinyurl) that includes a timestamp that will then open the iPlayer video at that exact point.

I know this has been available for YouTube videos for a fair while now but the fact that the BBC have made it happen in the iPlayer really is something to celebrate.

It really is very simple. iPlayer boss Anthony Rose said: “To use this new functionality, just click the Programme Information link below the video playback window in iPlayer to reveal the new Send to a Friend options.”

And of the Short URL system he went on to say: “We created our own “short URL” system to save you the trouble of having to use a 3rd-party service, and also to ensure that your users see a trusted bbc.co.uk link instead of one of those obfuscated short URLs that could take you anywhere.”

Aside from the ‘highlight’ of a programme on a message board for discussion, another area were it really is interesting is when it comes to music.

For example during the festival season I’d be able to write about an amazing (or piss poor) performance of a band and give you a link directly to that performance in the bigger video.

In fact I have a prime example. the BBC Three Intimate stage at T in the Park this year included performances from Franz Ferdinand, Little Boots, ting Tings, Glasvegas and Doves.

I want to share the Doves performance with you so I can give you a time stamp, you can click it and it will play on the iPlayer from that point – in face 8m42s.

What I haven’t worked out yet is how to embed iPlayer video with a timestamp so instead have a need to embed the entirity of that 55 minute long T In the Park video – well worth watching in full though.

UPDATE: I managed to work out how to embed to start at a specific timestamp you just need to put ?t=8m42s after the human readable part of the URL path.

I’ll try and incorporate a timestamp element into the PIP embed code tool when I get time.

The function will also be coming to radio eventual. Anthony Rose: “The new direct link functionality is available at the moment for iPlayer TV programmes. We hope to add support for radio as soon as we can.”

I’ll break down the short URL for you as well while I’m here – as they’ve designed the thing to be human readable, as they have with the new, longer main iPlayer URLS.

So what you’re sending someone is http://bbc.co.uk/i/lpm89/?t=15m14s

So lets get rid of the bbc bit and look at everything after /i/ (which is obviously the iPlayer bit). The first bit is the PIP in a shortened version – basically ditching the b00 of the full URL and isntead leaving you with lpm89.

then you have the timestamp and it is about as simple as they could have made it. t= (time equals) 15m (minutes) and 14s (seconds) or the bit where Tom Reilly is on.

On the subject of social television viewing – I’m going to write something about the new 4ip product – Test Tube Telly – at some point later this week when I’ve had a chance to play with it properly.

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iPlayer Pick: 13×03 Top Gear

iPlayer Pick: 13×03 Top Gear

As I’m sure you’ve guessed from the many, many, MANY posts on the subject – I’m something of a fan of Top Gear.

So with that in mind I’ve tried my best to avoid doing the obvious and posting Top Gear episodes as my iPlayer pick – I usually rate an episode somewhere between eight and ten every week – so it would be easy for me to choose it.

But it would be to pointlessly obvious, you know I like Top Gear, you know where the iPlayer is so it sort of acts as a default Pick without me actually saying it.

However, all that said and done – I am picking Top Gear this week. There are a few reasons for it, one of which is the openly political – stop nannying us rant – straight after a scene involving a hot day, no air con and three middle aged men in a sealed up car. See it for your self HERE.

But also because it is possibly one of the funniest episodes of Top Gear in the last few years. I spent the whole 55 minutes clutching my stomach in pain from laughing so much.

The three brilliantly childish presenters confront the credit crunch, in a way only Top Gear could/would by finding three ’sensibly priced small cars’ and showing them off to bankers – they then paint them, add loud speakers and drive around Parliament Square.

Plus, James meets American stunt driving legend Ken Block, Jeremy tests the mildly insane Mercedes SL Black on the track, and Michael McIntyre is the Star in a Reasonably Priced Car.

As a bonus here is a video of Ken Block outside of Top Gear.

When I said Top Gear was a default pick of the week – to be honest – that’s true. My real pick of the week was supposed to be posted last week and was a radio pick. But I was stuck in Bristol and left it to late – the first part expires today.

But just in case you want to look it up on your favourite download service of choice – it was called Voyage and was an alternative history story on the tale of the American Space Programme.

In this alternative world JFK just got injured and we see the programme go on towards a manned mission to Mars in the mid-1980s.

Listen to the remaining parts on the iPlayer.

Giving you the embed is a bit pointless unless you see this before 18:30 tonight (Monday 6 July) but here it is anyway – just in case.

All embed iPlayer code generated using Up Your Ego PIP.

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Licence fee and the internet

Licence fee and the internet

Appologies in advance for this extremely long blog post.

Before I get on with this blog post I feel I need to say that anything written here is my own personal opinion, that I’m not even convinced I agree with any of it and that I am a 100% fully committed supporter of the licence fee and the way it is currently used.

So all that said lets take a look at the TV licence – the £142.50 almost every home in Britain has to pay for the right to have a television – and more specifically how it can be applied in an online, on demand world.

licence_body

Recently Erik Huggers, BBC Future Media and Technology boss expressed a ‘personal opinion’ that it might be time to look at how the licence fee can be extended to the include those watching only on a computer.

BBC Television Centre
Image by flem007_uk via Flickr

He said: “My view is that if you are using the iPlayer you have to be a television licence fee payer. I don’t believe in a free ride. If you are consuming BBC services then you have to be a licence holder.”

Obviously at this point I should probably mention that the current ‘official BBC position’ is that a television licence is only needed if you are watching live, as broadcast programming – not on demand.

TV licensing currently state that you need a licence to: “Use any TV equipment such as TV set, digital box, video or DVD recorder, computer or mobile phone to watch or record TV programmes as they are being shown on television.”

You can police the television, digital box, video/DVD recorder side of that fairly easily – you just make sure that when someone buys any of those devices they have a TV licence – or at the very least you take their name and address so it can be checked against the TV licensing database.

It is possible that someone buying one of these devices has no intention of using it to watch television – they could be getting it to watch DVDs, copy DVDs, burn their homemade movies or play games.

More often than not, statistically people buy a television to watch TV, a DVD recorder to record TV and a digital box – well to watch digital TV.

But the opposite of that probably applies to computers and mobile phones. I expect it to be the opposite with those devices where the majority are using them for anything BUT watching TV.

BBC iPlayer 2.
Image via Wikipedia

OK so millions do use the iPlayer on a regular basis – but far fewer watch television live through the iPlayer and even the millions watching on demand is a considerable amount lower than those watching television generally.

At the moment making sure those watching live TV via a mobile or computer sort of relies on them being honest: “Yes guv, I’ve got a licence and wouldn’t dream of watching TV on my computer without one.”

Or equally, or even more often: “Nah I don’t use it, can’t use it and couldn’t work out how to use it even if I wanted to.”

But technically anybody could use it, they could decide not to own a TV and watch all their television live over the internet through their fat broadband line and 30” computer screen.

Which means they can be using all the BBC services that the rest of us are paying for – I think those watching only on a computer who don’t have a licence – should have a licence if they want to use the iPlayer.

But the question is – how do you do that without upsetting people that have no intention of owning a TV or watching TV on their computer?

It isn’t a problem at the moment as most people watching on the computer probably have a television and in turn a licence as well.

But what about in the future when 50mb broadband is common place, when large computer screens are common place – or even laptops in the bedroom?

How do we get around that problem?

Well I can see a few solutions and one jumped out at me when I opened the post on Saturday to find my new TV licence.

The letter included not one but two big blue boxes with my TV licence number in it. There are even instructions on the back for entering your licence number on the TV licensing website to find out or update your details.

BBC Television Centre autostitch
Image by ➨ Redvers via Flickr

So if people are getting comfortable entering the number to update details on the TV licencing site – why not enter it on to the BBC website to use iPlayer?

OK so the number could potentially be shared between people – students using their parents number while at university – but you could get around that problem by tying the number to a MAC address or IP range/ISP.

Or you just ignore that problem, accept it as a fact of life and move on.

I don’t think entering your TV licence number when registering for access to the iPlayer is such a big deal – however, having recently spent a morning teaching people who can’t use a mouse to get online – I have a different perspective over what is easy.

That extra step might put people off the wonder of the iPlayer, off a valuable and useful BBC service that comes as part of the licence fee they’re paying – it’s those people, and the honest ones this will cause problems for – not the tech savvy ones who will find ways around it.

No, in my opinion we should probably continue to rely on honesty – with a twist.
Build a codec/include into the iPlayer stream player (live only) that you have to install/accept – make it as seamless and painless as possible – click YES to watch live TV sort of seamless.

That way instead of requiring a licence fee if you own a computer – you only require the fee if you have this codec installed on your computer.

Like I said at the start though – just a few random thoughts for preserving the licence fee – that I think is so vital to the massive British creative industry – imagine the quality of TV we’d all suffer if it wasn’t for this collective good that we contribute to together – much like the NHS, schools, libraries and to a certain extent – the armed forces.

I don’t think this will be a problem for at least a decade, by which time we will be entering another charter renewal anyway – and who knows what that might throw up.

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